Is Payal Rohatgi really a Hindu nationalist
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Sushant Singh Rajput, Sanjana Sanghi, Sahil Vaid, Saif Ali Khan, Saswata Chatterjee, Swastika Mukherjee
During the 2000s, Bollywood began influencing musical films in the Western world and was instrumental role in reviving the American musical film. Baz Luhrmann said that his musical film, Moulin Rouge (2001), was inspired by Bollywood musicals;  the film incorporated a Bollywood-style dance scene with a song from the film China Gate. The critical and financial success of Moulin Rouge began a renaissance of Western musical films such as Chicago, Rent, and Dreamgirls. 
Bollywood has been a significant form of soft power for India, increasing its influence and changing overseas perceptions of India.   In Germany, Indian stereotypes included bullock carts, beggars, sacred cows, corrupt politicians, and catastrophes before Bollywood and the IT industry transformed global perceptions of India.  According to author Roopa Swaminathan, Bollywood cinema is one of the strongest global cultural ambassadors of a new India.   Its role in expanding India's global influence is comparable to Hollywood's similar role with American influence
Dr. Few Indian films were commercially successful in the country during the 1970s and 1980s, among them Tahir Hussains Caravan, Noorie and Disco Dancer.   Indian film stars popular in China included Raj Kapoor, Nargis,  and Mithun Chakraborty.  Hindi films declined significantly in popularity in China during the 1980s.  Films by Aamir Khan have recently been successful,    and Lagaan was the first Indian film with a nationwide Chinese release in 2011.   Chinese filmmaker He Ping was impressed by Lagaan (particularly its soundtrack), and hired its composer AR Rahman to score his Warriors of Heaven and Earth (2003). 
A commonly-reported justification for plagiarism in Bollywood is that cautious producers want to remake popular Hollywood films in an Indian context. Although screenwriters generally produce original scripts, many are rejected due to uncertainty about whether a film will be successful.  Poorly-paid screenwriters have also been criticized for a lack of creativity.  Some filmmakers see plagiarism in Bollywood as an integral part of globalization, with which Western (particularly American) culture is embedding itself into Indian culture.  Vikram Bhatt, director of Raaz (a remake of What Lies Beneath) and Kasoor (a remake of Jagged Edge), has spoken about the influence of American culture and Bollywood's desire to produce box-office hits based along the same lines: Financially, I would be more secure knowing that a particular piece of work has already done well at the box office . Copying is endemic everywhere in India. We want their films, their cars, their planes, their Diet Cokes and also their attitude. The American way of life is creeping into our culture.  According to Mahesh Bhatt, If you hide the source, youre a genius. Theres no such thing as originality in the creative sphere. 
The book shows the films outside Western paradigms, as visual manifestations and outcomes of the evolution of classical Hindu notions and esthetic forms. These include notions associated with the Advaita-Vednta philosophical school and early Buddhist thought, concepts and dynamism stemming from Hindu ritualism, rasa esthetic theories, as well as Brahmanic notions such as dharma (religion, law, order), and moka (liberation).
Cinematic language (in dialogues or lyrics) is often melodramatic, invoking God, family, mother, duty, and self-sacrifice. Bollywood song lyrics (especially in older films) frequently use the poetic vocabulary of court Urdu, with a number of Persian loanwords.  Another source for love lyrics in films such as Jhanak Jhanak Payal Baje and Lagaan is the long Hindu tradition of poetry about the loves of Krishna, Radha, and the gopis.
Amitabh Bachchan, Anil Kapoor, Arjun Rampal, Arshad Warsi, Vidyut Jamwal, jackie chan, Jacqueline Fernandez, Saif Ali Khan, Paresh Rawal
During the late 1960s and early 1970s, the industry was dominated by musical romance films with romantic-hero leads. 
Some Bollywood films have been widely appreciated in China, Japan, and South Korea. Several Hindi films have been commercially successful in Japan, including Mehboob Khans Aan (1952, starring Dilip Kumar) and Aziz Mirzas Raju Ban Gaya Gentleman (1992, starring Shah Rukh Khan). The latter sparked a two-year boom in Indian films after its 1997 release,  with Dil Se .. (1998) a beneficiary of the boom.  The highest-grossing Hindi film in Japan is 3 Idiots (2009), starring Aamir Khan,  which received a Japanese Academy Award nomination. 
Very few non-Indian actors are able to make a mark in Bollywood, although many have tried. There have been exceptions, however, and the hit film Rang De Basanti starred the English Alice Patten. Kisna, Lagaan, and The Rising: Ballad of Mangal Pandey also featured foreign actors, and Australian-born actress Emma Brown Garett has starred in a few Indian films.  Bollywood can be insular, and relatives of film-industry figures have an edge in obtaining coveted roles in films or being part of a film crew. However, industry connections are no guarantee of a long career: competition is fierce, and film-industry scions will falter if they do not succeed at the box office. Stars such as Dilip Kumar, Dharmendra, Amitabh Bachchan, Rajesh Khanna, Anil Kapoor, Sridevi, Madhuri Dixit, Aishwarya Rai and Shah Rukh Khan lacked show-business connections.
Bollywood is a portmanteau derived from Bombay (the former name for Mumbai) and Hollywood, California, the center of the American film industry.  Unlike Hollywood, Bollywood is not a physical place; its name is criticized by some film journalists and critics, who believe it implies that the industry is a poor cousin of Hollywood
In 1897, a film presentation by Professor Stevenson featured a stage show at Calcuttas Star Theater. With Stevensons encouragement and camera, Hiralal Sen, an Indian photographer, made a film of scenes from that show, The Flower of Persia (1898). S. Bhatavdekar showed a wrestling match at the Hanging Gardens in Bombay. 
Although Bollywood is less successful on some Pacific islands such as New Guinea, it ranks second to Hollywood in Fiji (with its large Indian minority), Australia and New Zealand.  Australia also has a large South Asian diaspora, and Bollywood is popular amongst non-Asians in the country as well.  Since 1997, the country has been a backdrop for an increasing number of Bollywood films.  Indian filmmakers, attracted to Australias diverse locations and landscapes, initially used the country as a setting for song-and-dance scenes;  however, Australian locations now figure in Bollywood film plots.  Hindi films shot in Australia usually incorporate Australian culture. Yash Raj Films Salaam Namaste (2005), the first Indian film shot entirely in Australia, was the most successful Bollywood film of 2005 in that country.  It was followed by the box-office successes Heyy Babyy, (2007) Chak De India (2007), and Singh Is Kinng (2008).  Prime Minister John Howard said during a visit to India after the release of Salaam Namaste that he wanted to encourage Indian filmmaking in Australia to increase tourism, and he appointed Steve Waugh as tourism ambassador to India.  [failed verification] Australian actress Tania Zaetta, who appeared in Salaam Namaste and several other Bollywood films, was eager to expand her career in Bollywood
The influence of filmi may be seen in popular music worldwide. Technopop pioneers Haruomi Hosono and Ryuichi Sakamoto of the Yellow Magic Orchestra produced a 1978 electronic album, Cochin Moon, based on an experimental fusion of electronic music and Bollywood-inspired Indian music. Dre, was lifted [clarification needed] from Lata Mangeshkar's Thoda Resham Lagta Hai in Jyoti (1981).  The Black Eyed Peas Grammy Award winning 2005 song Dont Phunk with My Heart was inspired by two 1970s Bollywood songs: Ye Mera Dil Yaar Ka Diwana from Don (1978) and Ae Nujawan Hai Sub from Apradh (1972).  Both songs were composed by Kalyanji Anandji, sung by Asha Bhosle, and featured the dancer Helen. 
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